White

WHITE

As a photographer with a deep affinity for minimalism, I’ve often found myself asking: How far can I strip an image down before it loses its soul. At what point does simplicity become emptiness? The most minimal image imaginable—a blank white page—may be serene, but it is also devoid of story. And yet, true minimalism can be profoundly expressive. An exquisite curve, the repetition of bare trees, or the whisper of light on a white surface can hold surprising emotional weight.

My “White” series is an exploration of these questions. It’s an attempt to discover the point at which minimalism stops being reduction and begins to speak. Through this body of work, I’m testing the boundaries of absence—pushing toward stillness without falling into silence.